Our work The screening room

Proof over promise.

Every film and project here solved a real communication problem for a real B2B company.

Case studies

Three projects. The full story.

Case study 01

Dhanuka Agritech — Kirari product launch

  • Agriculture
  • 3D Explainer Videos
  • Multilingual
  1. The problem

    Field reps couldn't explain Kirari's complex mode of action to farmers — or why it was worth a premium.

  2. Our approach

    A 3D film of the product's cellular-level action, scripted in farmer-first language, not jargon.

  3. The output

    A 3-minute 3D video in Marathi, Hindi and Gujarati with native voice-over, made for WhatsApp.

  4. The result

    Field-rep conversion improved measurably. It is now part of Dhanuka's standard sales toolkit in Maharashtra and Gujarat.

Case study 02

Rivulis India — pan-state multilingual content

  • Irrigation
  • Multilingual video
Watch the film
  1. The problem

    One generic drip-irrigation video was failing across five states with different languages and crops.

  2. Our approach

    One master animation with state-specific voice-overs and crop context — 60% cheaper than five separate films.

  3. The output

    Five regional versions — Marathi, Hindi, Gujarati, Telugu, Tamil — formatted for field-team sharing.

  4. The result

    Significantly higher farmer engagement in all five states. Now Rivulis's standard for every launch.

Case study 03

Edgemate Automation — complex machinery explained

  • Automation
  • 3D Explainer Videos
  1. The problem

    Buyers were MDs and procurement heads, not engineers. Spec-heavy decks failed; demos needed costly site visits.

  2. Our approach

    Time on-site before writing a word. The film was built around buyer outcomes, with a before/after comparison.

  3. The output

    A 90-second 3D film of the machine in full operation, in English and Hindi, for LinkedIn, email and trade shows.

  4. The result

    Demo requests increased. “The sales conversation starts from a much higher level of understanding.” — Kishor Vyas, Director

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